The Backstory as an Integral Part of a Novel

Andrea here, musing today about backstories. Now, as a fiction writer, I consider backstories an integral part of the writing process for my characters. I try to imagine basic things about them—vulnerabilities, issues from the past, surprise revelations about quirks or talents—that I can reveal to readers. It’s especially fun if the characters are part of an ongoing series, where I can slowly unpeel layers—like with an onion!—to show the hidden depths.

But in my upcoming book, THE DIAMOND OF LONDON, the idea of backstory takes a  little different twist. In this book I delve into a new genre of historical fiction and have penned a fictional biography. Yes, I know, that sounds like an oxymoron, and at first I wasn’t sure whether I felt comfortable taking it on. My publisher wanted to bring to life the stories of remarkable women in history whose achievements have been hidden for too long in the shadows of traditional historical narratives. I loved the idea so I decided to do delve into the challenge and see if I picture a way to combine fact and fiction, as I would be imagining my subject’s thoughts and feelings.

I chose Lady Hester Stanhope (above) as a possible subject. I knew a bit about her later life as one of the early 19th century’s most famous adventurer. She excavated ruins in the Levant, raised her own private army and brokered power-sharing with the warlords of the region, wore men’s clothing and rode astride . . . in other words, she said “convention be damned—I’m going to live exactly as I please!”

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