Hollywood History

cover of Close-up to MurderMy upcoming book, Close-up to Murder, is a break from historical romance but still has roots in history—if one can call early Hollywood historical. I mean, it was over a century ago, so it ought to qualify.

The basic beginning of Hollywood was the usual real estate development—rich guy failed at farming, subdivided the land, sold empty desert lots to rich people back East, and mansions began appearing. The city was incorporated in 1903 with a post office, markets, livery, and hotel, ready for the railroad to deliver mountains of eastern gold in the form of rich New Yorkers in search of sunshine. It merged with Los Angeles in 1910.

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May the 4th be with you!

Christina here. May the fourth be with you! Yes, today is International Star Wars Day for obvious reasons – a joke that seems to have caught on to the point where die-hard fans of the movie series celebrate each year. The pun alludes to the phrase “may the Force be with you” from the original Star Wars films, and Star Wars Day has apparently been celebrated since 1979. (See this video for how it came about, plus a whole lot of trivia about the films).

Star Wars Day is an excuse for special events and marathon viewings of the movies, and there are even people who claim the Jedi doctrine as their ‘religion’ on census records (I know at least one person who has done this!). Others collect memorabilia and action figures to do with the films and attend conventions. Why has this particular series caught our imagination to such an extent, I wonder?

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Books to Movies: Yes or no?

By Mary Jo

This month the Wenches are talking about film adaptations of movies.  What we loved, what we hated, and what we’d like to see made.  What adaptations have you loved or hated?

Anne here. In general, I prefer the book to the movie. There’s so much more in the book; characters’ thoughts, impressions, backstory, and things like subplots and minor characters that the movie makers often have to cut. But it’s a bit like comparing apples with oranges — they do different things. One adaptation I really enjoyed was the BBC version of Pride and Prejudice, the one with Jennifer Ehle and Colin Firth, but that was serialized, so it was able to include a lot of things that  a movie of the same book would have to miss out on. That said, I did enjoy the 2005 movie with Keira Knightley and Matthew Macfadyen, even though there were some things that really annoyed me — like that pig wandering through the house! And the old movie of To Kill A Mockingbird, with Gregory Peck was brilliant and though it had to leave some of the book out, it conveyed its essence superbly.

But in general, I don’t rush to watch adaptations. I only watched a little bit of Bridgerton, for example, and though I’ve read Wuthering Heights a number of times, I’m not lining up to go and watch the new film adaptation. I never liked the book and from everything I’ve heard about the film, it won’t convert me. I understand why movie people want to make over old books and stories to appeal to a new audience, but I don’t particularly enjoy their flights of fancy.

But if I haven’t read the original book, often watching a movie will entice me to read it. I read One Flew Over The Cuckoo’s Nest after seeing and enjoying the movie,  for instance. The same with M.A.S.H. after seeing the movie and the TV show. They were different, but I felt the essence was ‘right’ and the book respected. And there are movies that are much better than the book: The Princess Bride, for example. I saw the movie first, and hoped to like the book more, but I didn’t.

Christina here. I’m the same as Anne and usually much prefer the book to the movie. However, also like her, I really enjoyed the BBC TV adaptation of Pride & Prejudice, as well as the film version of Sense & Sensibility starring Emma Thompson. And I loved the Jane Eyre TV series starring Toby Stephens. I quite enjoyed the Lord of the Rings trilogy. I saw the films first and they made me want to read the books. I had tried in the past and never got into them but once I’d seen the movies it all made more sense somehow.

Most of the time I find movie adaptations disappointing because they leave out some of what I consider important stuff. If it’s a film there isn’t enough time to fit everything in and sometimes they simply don’t catch the essence of the book. One movie that was better than the book though was Inkheart (based on the book by Cornelia Funke). The reason I liked it so much was because the film gives us a happy ending whereas the book didn’t (sorry if that’s a spoiler!). I would really, really love to see some TV adaptations of Georgette Heyer’s stories. I think her dry humour could come across brilliantly if it was done properly. Any producers out there listening?

Nicola here. I’m another one who usually prefers books to films. Generally, you get so much more depth in a book compared to a two-hour summary of a story in a movie. TV adaptations are often better because there are more episodes, which allows for a greater exploration of the themes and characters. I was massively disappointed in the 1998 film of Frenchman’s Creek, which is one of my all-time favourite books. I thought Anthony Delon as the pirate hero was always smirking rather irritatingly and all the subtlety and magic of the original story was lost for me. I’ve had a similar reaction to a number of Jane Austen adaptations although not all of them.

However, one film I loved was The Personal History of David Copperfield, based on the book by Charles Dickens. I don’t enjoy reading Dickens. I’ve really tried to get into his books but they just aren’t for me. So, I approached this movie with a certain wariness and was very pleasantly surprised. It’s funny, clever and the characters are really engaging. I’ve no idea if it’s true to the original book but that doesn’t matter. I thought it was charming. So perhaps the answer (for me at least) is not to watch adaptations of books I have loved but to try something new!

An adaptation I’d really like to see? Hmm, a time slip story like The Rose Garden by Susanna Kearsley would be absolutely brilliant!

 

Susan King here:  Often it seems movie adaptations are not quite as good as the original book, but there are lots of wonderful notable exceptions. One of the best screen adaptations of a book that I’ve read (and read before the movie was out) is The Martian, starring Matt Damon and based on the novel by Andy Weir. The book, an amazing blockbuster, is a powerful story packed with accurate scientific information and plausible life-or-death situations. When a group of astronauts must suddenly abandon their habitat on Mars in a storm, they believe one of their team died in a freak accident, and they reluctantly leave the planet. But Mark Watney is very much alive and must survive alone on the planet, using science, creative solutions, and incredible resilience until a highly dangerous rescue can be arranged.

The book was excellent, but can be bit of an uphill read with all the scientific information to absorb. The movie presents the same story in an exciting, fast-paced way that emphasizes character over science, makes the science very accessible, and laces humor throughout, even in the darkest moments. Matt Damon’s Mark Watney is a remarkable performance, close to the book yet far more endearing. It’s a fantastic movie, a favorite in our household, and so watchable that we’ve seen it more than once and will probably watch it again.

Andrea here: I’m usually leery of film adaptations of books. All too often, so much gets lost in translation. I do like both Pride & Prejudice films mentioned by the other Wenches, but mostly because they are nice period entertainments, though I don’t think they really capture Austen’s nuances.

That said, I do have few films that I think do a wonderful job of both capturing the spirit of the book and bringing an extra bit magic through the medium of film. First on the list is The Princess Bride, which is one of my all-time favorites. All the actors are so perfectly cast and capture the zany tongue-in-cheek mood of the book. In fact, when the film deviates from the book, it’s for the better! I’ve seen it umpteen times and still laugh at every joke or sight gag.

I also think the Harry Potter films, and the Lord of the Rings trilogy are fabulous at bring to life the world and characters of Hogwarts and Middle Earth.

Pat here.  I seldom watch movies and barely remember those that I have, sorry. Yes, I’ve seen the various versions of P&P and Sense and Sensibility and they were very pretty and well done for what they were—a nice bit of scenery and acting.  They captured some of the essence of the books, which given the limited time span of a movie, is well done. And therein lies the rub—books allow for so much more!

I’m in a book club that reads books made into movies. We tend literary, mostly, so the differences between the two media is extremely noticeable. Literary books are generally heavy on description and atmosphere and meaningful pauses where the reader can sit and ponder the portents and philosophies and themes. Movies are far more fun in this case. <G> They’re entertainment: beautiful people, beautiful scenery, a fast-paced story to please a wide audience. Film necessarily leaves out bits that I enjoyed or thought were extremely important to the book—but weren’t necessary for entertainment. Books like The Boys in the Boat or The Tender Bar (and yes, we have a George Clooney fan in the group) are filled with fascinating details that the movies turned into action sequences. And heck, let’s admit it, it’s far more fun to watch Clooney than to plod through old history!

Mary Jo here:  I join the other Wenches I admiring some of the Jane Austen adaptations, and I think the Lord of the Rings trilogy was magnificent.  (Since I’d read the books years early, I wasn’t hung up about what was left out.)

Sometimes movies I’m enjoyed have encouraged me to read the book.  It doesn’t usually work the other way.  If I read the book first, the movie often will seem lacking because there is so much that had to be left out.

I enjoy most of the same stories-to-movies that the other Wenches have mentioned, but I wanted to elaborate on The Princess Bride. The movie has become a much loved classic, popular with people of all ages.  I never read Goldman’s book which was the inspiration for the movie, but if you enjoy the movie, I recommend reading As You Wish: Inconceivable Tales from the Making of The Princess Bride. 

Written by Cary Elwes, who plays Westley, the romantic lead in The Princess Bride, the book is great fun, describing the actors and the ups and downs of the shooting.  It also gives insights into how movies are made.  The casting was brilliant–it’s hard to imagine any other actors in the roles.  Elwes and Mandy Patinkin spent endless hours practicing their swordsmanship for the key scene between them.  The dramatic Cliffs of Moher became the fearsome Cliffs of Insanity, Reading the book is as much fun as watching the movie.

What about you?  Do you love or hate movie adaptations of books?  If so, which ones?

A Pride and Prejudice Anniversary

Anne here, and I’m wondering — What were you doing on this day in 1995?

If you were in the UK, chances are you were settling down to watch the very first episode of the BBC TV adaptation of Pride and Prejudice, with Jennifer Ehle and Colin Firth. It aired first on 24 September 1995. And no doubt you would be glued to the TV for the following five weeks, watching the rest of the series.

It was a landmark event, and was such a phenomenal success that 100,000 video box sets were sold while it was still on air, while 10 million people watched the final episode.

Its success is probably responsible for the raft of Austen adaptations, imitations and spin-offs ever since, and Jane Austen, whose novels had modest success in her lifetime, has become a mega star, making frequent appearances  on “All time favorite author” lists — even though quite a few people who list her as their favorite author haven’t actually read her books. They don’t need to — or so they think — they’ve seen the TV series and the movies.

I’m not dissing the various series and movie adaptations — I’m delighted that they taught the world to appreciate Austen and her Regency world. That 1995 series in particular got almost everything right — the world, the clothes, the manners and expectations, and the characters.

The only thing that jarred with me was, ironically, the scene that is the most memorable and beloved of many people — the scene where Darcy dives into the pond. And though he looks quite sexy, emerging dripping and walking toward Lizzie, that pond looks quite unenticing — even the underwater sequence shows it as murky — so he would be squelching along, dripping waterweed as he walked. And probably not smelling all that good — it’s quite a small pond and to my eye looks a bit stagnant.

A stuntman was used for most of the scene — he appears in midair in a very brief shot. He was hired because of the risk of infection with Weil’s disease at Lyme Park. The short underwater segment was filmed separately with Firth in a tank at Ealing Studios in west London. (Source)

Apparently the script-writer, Andrew Davies, initially planned to have Darcy swim naked, but the BBC opposed that. (And in that state he could hardly greet Lizzie!) The suggestion that he wear underpants was then dismissed by the producers as anachronistic and silly. Davies thought that the scene unwittingly “rerobed, not disrobed, Austen”; when he had originally wrote the scene, he did not intend to highlight a sexual connection between Elizabeth and Darcy but to create “an amusing moment in which Darcy tries to maintain his dignity while improperly dressed and sopping wet”.  (Source) https://janeausten.fandom.com/wiki/The_Lake_Scene#

That scene apart — and many who claim to be fans of Jane Austen don’t even realize it was not in the book — the adaptation itself is wonderful, as six episodes allowed it to remain pretty faithful to the book.

Ten years on, in 2005, there was the movie version, with Keira Knightley and Matthew Macfadyen, and ever since, people have debated with version is best. But I don’t think it’s a fair comparison. A movie-length adaptation would, by necessity have to condense, compress and cut the events of the novel.

The bit that jarred on me most in the movie was the pig wandering through the house. It struck entirely the wrong note. The Bennets were gentry, not peasants.

Some critics argued that Keira Knightley’s portrayal in the 2005 film is too modern and lacks the subtlety of Jennifer Ehle’s performance in the miniseries, and while I agree with that to some extend, I enjoyed the film and her performance. Hers was a very different interpretation, and one that I think appealed to a whole new, younger audience, and brought them to Austen.

There is an excellent essay here about the history of Austen and the BBC — long, but well worth reading.
If we’re talking about film adaptations of Austen, my favourite is probably Persuasion, with Amanda Root and Kieran Hinds. It also came out in 1995 and I thought it beautifully subtle and emotionally engaging.

It also contains (straight from the book) the most romantic declaration of love from a hero:
You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone forever. I offer myself to you again with a heart even more your own than when you almost broke it eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you.

And on that note, I’ll leave you with these questions: Do you remember watching your first Austen adaptation? Do you have a favourite Austen — book or screen version? And what were you doing in 1995?

Emoting over Books

1f972Nicola here. I’m in deadline territory so I’ve dusted down and added to a blog piece from 9 years ago on a topic that really interests me – books that make us cry. This is intended to be a cheerful blog, not a miserable one. It’s not about the latest craze in what has been dubbed “sad girl books” which are apparently about millennial women who are unhappy in their lives. I haven’t read any and the present time isn’t the right moment for me to start. No, it’s about authentic emotion and the way that can touch us.

A while ago I spent a day on writing retreat with a very good friend of mine, also a romance writer. Over lunch, we got chatting about the books that make us cry. We weren’t talking about those books that drive us to tears of frustration as we’re writing them although there are plenty of those. Nor were we discussing “misery lit”. We were talking as readers about the scenes that can make us cry every time we read them, even though we know them back to front and word for word. Not all of our favourites were romance books although some of them were. Others were thrillers, crime stories, even biographies.

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