Ask A Wench–Are Titles Important?

Question-mark-1019820_1280Pat here, hosting this month's Ask-A-Wench…

How do the wenches choose their titles and are they as important as the covers? 

I had so much fun reading your comments when I answered this question last month, that I asked it of the wenches to see what they had to say. Quantum, we owe you another book!

Let the other wenches speak for themselves:

Christina:

I think titles and covers are of equal importance and as I’m slightly OCD, personally I am drawn to the ones that match – Susanna Kearsley’s Sourcebooks covers  are a case in point. (I liked them so much I had to buy even the ones I already had in another format!).

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A Title by Any Other Name

Me at mariposaPat here, writing from Yosemite's Mariposa Grove:

Quantum asked how the wenches choose their titles and are they as important as the covers? (Quantum wins a book of mine and is still in the pot for the rest of the wenches, because it’s a fun question)

Whether we like it or not, book titles are important. Do you ever receive newsletters like Bookbub or EarlyBird advertising book sales? I’m picking through a recent one, and I apologize to any authors I might offend, but I pulled these titles off one sales sheet: Ballad of the Sad Café, The Revelation Room, Arkansas, Shadow of Ashland—what kind of books do you think these titles represent? Would you reach for any of them? I’d jump on Ballad of the Sad Café, and if I were bored or desperate, I might look into the Revelation Room, but the others, big yawn. THAT’s why titles are important—they persuade readers to snatch a book off the shelf and dive in.

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Rebranding AKA New Covers and Titles for Old Books

The Woman in the Lake - UK-Final-webNicola here. Today I’m talking about re-branding in the form of book covers and titles.  The reason: My publisher and I decided to give The Woman in the Lake a new cover and a new title for the UK e-book and I thought it might be interesting to explore why this happened. I hope this will appeal to readers who might wonder why books are sometimes rebranded, and to authors who may face the same dilemmas themselves. It’s a look behind the scenes – and a very honest one – into what happened with The Woman in the Lake.

TWITL as I call it, was published simultaneously in the UK and North America in March 2019. It’s my third “timeslip” novel, a term which in itself can cause problems for an author trying to interest an agent or publisher in a book. Some people haven’t heard of timeslip, others ask what the differences are between timeslip and time travel, some people call the books dual or multiple time stories… There can be some identity issues!

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