A Home Fit for a Hero

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Christina here. Recently I’ve been reading a lot of contemporary stories where the heroes are wealthy and successful, and I have noticed that they all seem to have very similar tastes when it comes to their homes. They usually live either in a penthouse apartment, with floor to ceiling windows and incredible views, or in a converted warehouse apartment, where so called “industrial chic” rules. Bare brick walls, huge spaces and cavernous ceilings, all tastefully furnished to suit a man of course.

Is this how we want or expect our heroes to live? Or is it how we believe the super-rich live and this is our impression of success in building form?

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Brooches – Historical Fashion Statement

LadybirdNicola here, talking about brooches. Although I love sparkly jewelry, mainly rings and earrings, I’ve never worn brooches very much.  Maybe I associated brooches with my grandmother in the same way that I thought of scarves and lavender, both of which I’ve come around to appreciating over the years. I’ve a number of brooches in my drawer but they don’t see the light of day very often. Well, that’s about to change.

Last year in the UK, Lady Hale, the president of the supreme court caused a sensation in several ways, with her ruling on the prorogation of parliament but also because of the enormous spider brooch that she was wearing at the time. This caused a fashion phenomenon and the sale of spider brooches soared whilst brooches in general became a hot trend. It turns out that Lady Hale has quite a selection of over-sized brooches, including an emerald green frog, a centipede, a beetle and a fox.

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Buy that art!

Wench Peep-at-Christies-GillrayLet's say you're a rich man in 1800. You own a house in town and have an estate in the country. Maybe you own manufacturies or mills. You buy expensive clothes and horses and carriages. You shower jewels upon your womenfolk. But at the end of the day, you still have more money than you know what to do with.

You could gamble, of course. Many men and women managed to subdue a rising fortune by gambling it away.

But let's say you had no taste for throwing money away on the green baize table. Let's say you go … collecting. Collecting art, in particular. Where? How? What? Inquiring minds want to know.

In the mid Eighteenth Century there was the 'Grand Tour' of course. A fashionable quest for sophistication had long sent rich young Englishmen off to the Continent to buy Old Masters and Etruscan pots and a good many well-made fakes. They carted them home to decorate the Old Manse.


he looks amiable, doesn't he?

The art auction achieved its modern form around this time. Rather than the older practice of offering a collection of artworks for sale, each with its proposed price —. this really sounds like a tag sale, doesn't it? — the collection was open for view, and then on the day of sale the auctioneer offered successive artworks and invited bids. Auction madness was born. Much more satisfying, really.

By the end of the Eighteenth Century London housed some of the major auction houses we know today, like Christie's, Phillips, and Sotheby's, as well as others now vanished like Skinner and Dyke, Langford, (with auction rooms at Covent garden,) and Bryant.

Here, to the right, is a portrait, by Gainsborough, of James Christie in 1788, rich in years and honors after two decades and more in the auction business. Sotheby's Auction House is slightly older, but spent the Regency specializing in "scarce and valuable" books rather than paintings. For instance, the library Napoleon carried with him into exile was sold through Sotheby's after his death. Phillips Auction House is solidly Regency, founded in 1796 by the senior clerk at Christie's. I'm sure there is a story behind that.

By the time the Grand Tour was made inconvenient by those troublesome sans culottes in France, the art valuables of France and later the Continent were making their own way to England, fleeing the French Revolution and the ensuing Napoleonic Wars. Wench catalogue henry phillips

Here's what theWench terburgh the music lesson notice of an impending auction looked like. It's the upcoming sale of drawings belonging to the "Count de Carriere", (count of the stone pit or quarry,) probably the nom d'exile of Etienne Bourgevin Vialart, comte de Saint-Morys.

And here is a typical painting that fled France on the wings of Revolution. Ter Borch's The Music Lesson. It was sold by its French owner through the auction house of Skinner and Dyke in London in 1795. Two centuries later, we find it in California where the weather is better, but it's far, far away from the Netherlands where it was painted.

Our Regency auction would have looked a little like this. The examination of the paintings before the sale is up above. Then the auction itself, below.Click on the picture for a closer look.  Notice how many women there are among the bidders, but the main action next to the picture for sale is men.

Wenches Microcosm_of_London_christies auction