Andrea/Cara here, musing on science today. I confess, given that my academic expertise in science ended in 9th grade biology class (you know, the one with formaldehyde, dead frogs and very sharp knifes!) it might strike you as rather strange that science plays a big role in the plot of Murder on Black Swan Lane, the first book of my new Regency-set mystery series, which hits the shelves next month. Allow me to explain . . .
I have an art background, which may seem like the polar opposite from the world of laboratories, microscopes and bubbling chemicals. I thought the same thing until I read The Age of Wonder by Richard Holmes a few years ago. In it, he talks about how during the Regency era, the artists and scientists all thought of themselves as kindred souls. For them, exploration and discovery in any discipline required imagination and creative thinking. Painters, poets, chemists, astronomers—they all shared a passion for pushing themselves to think outside the box.
Hmmm, I thought . . . these are just the same qualities required to unravel diabolical mysteries. So it suddenly struck me that having a scientist and an artist could be a really fun combination. In the Earl of Wrexford and Charlotte Sloane, I’ve sought to create two lead characters who embody the intellectual curiosity—and gritty courage—of the times. They are opposites: a brooding aristocrat whose extraordinary mind runs on the rational new principles of scientific inquiry, paired with a struggling artist whose innate cleverness and intuition are the keys to her survival. Forced to work together, Wrexford and Charlotte find they make a formidable team, despite their differences. (Ah, but as science tells us, opposites often attract!)