Music and The Muse


Beethoven PortraitCara/Andrea here,

Being easily distracted, I have always tended to write in silence. My brain doesn’t seem to be capable of doing two things at once—I am slightly dyslexic so thinking and typing is sometimes a comedy of errors. (You would laugh yourself silly if you saw of the pages of my manuscript before I go back and correct the gibberish.) So I have always worried that thinking and listening might not be a wise idea.

Eroica-Beethoven_titleBut recently I was chatting with a friend about music. He had been listening to Beethoven’s Eroica Symphony the night before and we began to muse about art, and its forms in sound, image and the written word. It was a fascinating conversation—he’s far more knowledgeable about music than I am—and it got me to thinking . . . and listening.

Napoleon4I immediately went out bought the complete symphonies of Beethoven. That the composer was perhaps the most important musical influence on the Regency era only piqued my interest in seeing whether I could listen to music as I wrote. (Hey, my heroes and heroines are pretty emotional and angst-y, so it seemed a perfect fit.) So I brought up i-Tunes, opened my Word doc, doubled clicked on Eroica, also known as Symphony #3 in E Flat, Op. 55, and hunched over my keyboard . . .

But before I get to the result, allow me to digress a little on the symphony’s creation. I will not embarrass myself by trying to wax eloquent on Beethoven’s life or complex personality, but highlighting few details about one of the most important pieces of Regency music might be fun, so let’s take a quick dance through the score.

 Young BeethovenBeethoven started composing the symphony in late 1803 and intended to dedicate his work in progress to Napoleon Bonaparte, for he greatly admired the revolutionary ideas of the new French Republic. The decision would cost him financially—dedicating it to Prince Franz Joseph Maximillian Lobkowitz would have earned him a handsome fee. But he stuck to his guns and called it “Bonaparte. ” However, in May 1804, Napoleon had himself proclaimed Emperor of France, and when Beethoven heard the news, he was both disillusioned and furious, feeling his idealism had been betrayed. His assistant and pupil, Ferdinand Ries described the scene in his memoir:


Napoleon CoronationI was the first to tell him the news that Buonaparte had declared himself Emperor, whereupon he broke into a rage and exclaimed, "So he is no more than a common mortal! Now, too, he will tread under foot all the rights of man, indulge only his ambition; now he will think himself superior to all men, become a tyrant!" Beethoven went to the table, seized the top of the title-page, tore it in half and threw it on the floor. The page had to be re-copied and it was only now that the symphony received the title “Sinfonia eroica.”(Eroica means “heroic” in Italian.)

Napoleon EmperorSo, did playing Eroica—a masterpiece which is considered to mark the beginning of the Romantic era in music—inspire me to greatness? Well I am at the stage in a book where I, like Beethoven, feel like seizing the pages, tearing them in half and throwing them on the floor. (Unlike the Maestro, I’d also jump up and down on them. Except I have a deadline looming, so I will refrain from such childish urges.) But that said, I discovered to my delight that music has proven to be a very lovely addition to my writing routine. Eroica is a marvelous work of genius, and I hope I absorbed a touch of brilliant creativity by osmosis. The long hours at the computer certainly were more harmonious than usual.

Beethoven-PastoralI also love Symphony #5 and #6, which is named “Pastoral.” Beethoven, like many of the artists who pioneered the Romantic era, was a great lover of nature, and often left Vienna to work on his music in the countryside. He said of “Pastoral”, which was written in 1802, that it was “more the expression of feeling than painting . . ."

So what about you? Do you enjoy Beethoven’s music? And do you listen to music while you write or do other tasks? If so, what are some of your favorite pieces?

115 thoughts on “Music and The Muse”

  1. Keziah, I worried that I would only be able to concentrate on the music, but luckily I start to write and the story becomes primary, and the music is there for when I lean back and take a break. But subconsciously I know it’s creating a nice rhythm, so I’ve really enjoyed it!

    Reply
  2. Keziah, I worried that I would only be able to concentrate on the music, but luckily I start to write and the story becomes primary, and the music is there for when I lean back and take a break. But subconsciously I know it’s creating a nice rhythm, so I’ve really enjoyed it!

    Reply
  3. Keziah, I worried that I would only be able to concentrate on the music, but luckily I start to write and the story becomes primary, and the music is there for when I lean back and take a break. But subconsciously I know it’s creating a nice rhythm, so I’ve really enjoyed it!

    Reply
  4. Keziah, I worried that I would only be able to concentrate on the music, but luckily I start to write and the story becomes primary, and the music is there for when I lean back and take a break. But subconsciously I know it’s creating a nice rhythm, so I’ve really enjoyed it!

    Reply
  5. Keziah, I worried that I would only be able to concentrate on the music, but luckily I start to write and the story becomes primary, and the music is there for when I lean back and take a break. But subconsciously I know it’s creating a nice rhythm, so I’ve really enjoyed it!

    Reply
  6. Who doesn’t like Beethoven? But I find the symphonies a bit too much when I’m writing. I can manage the early string quartets, but my favorite writing music is Haydn or just about anything Baroque. It keeps me from getting too tense and panicking.

    Reply
  7. Who doesn’t like Beethoven? But I find the symphonies a bit too much when I’m writing. I can manage the early string quartets, but my favorite writing music is Haydn or just about anything Baroque. It keeps me from getting too tense and panicking.

    Reply
  8. Who doesn’t like Beethoven? But I find the symphonies a bit too much when I’m writing. I can manage the early string quartets, but my favorite writing music is Haydn or just about anything Baroque. It keeps me from getting too tense and panicking.

    Reply
  9. Who doesn’t like Beethoven? But I find the symphonies a bit too much when I’m writing. I can manage the early string quartets, but my favorite writing music is Haydn or just about anything Baroque. It keeps me from getting too tense and panicking.

    Reply
  10. Who doesn’t like Beethoven? But I find the symphonies a bit too much when I’m writing. I can manage the early string quartets, but my favorite writing music is Haydn or just about anything Baroque. It keeps me from getting too tense and panicking.

    Reply
  11. Lil, I know what you mean about “emotional, but if I keep it low, it seems to work. (But not the 9th—that’s too intense.) I also love Handel’s “Music for Fireworks” and Bach and Vivaldi . . .love his flute music. I have SO much to explore in classical music! It’s going to be great fun.

    Reply
  12. Lil, I know what you mean about “emotional, but if I keep it low, it seems to work. (But not the 9th—that’s too intense.) I also love Handel’s “Music for Fireworks” and Bach and Vivaldi . . .love his flute music. I have SO much to explore in classical music! It’s going to be great fun.

    Reply
  13. Lil, I know what you mean about “emotional, but if I keep it low, it seems to work. (But not the 9th—that’s too intense.) I also love Handel’s “Music for Fireworks” and Bach and Vivaldi . . .love his flute music. I have SO much to explore in classical music! It’s going to be great fun.

    Reply
  14. Lil, I know what you mean about “emotional, but if I keep it low, it seems to work. (But not the 9th—that’s too intense.) I also love Handel’s “Music for Fireworks” and Bach and Vivaldi . . .love his flute music. I have SO much to explore in classical music! It’s going to be great fun.

    Reply
  15. Lil, I know what you mean about “emotional, but if I keep it low, it seems to work. (But not the 9th—that’s too intense.) I also love Handel’s “Music for Fireworks” and Bach and Vivaldi . . .love his flute music. I have SO much to explore in classical music! It’s going to be great fun.

    Reply
  16. I love Beethoven’s music. It should be remembered that Beethoven started to go deaf in about 1802 and was quite deaf when writing many of his most famous pieces. So he was going deaf when he wrote the Eroica, and was almost completely deaf when he wrote the 9th symphony. A truly great composer

    Reply
  17. I love Beethoven’s music. It should be remembered that Beethoven started to go deaf in about 1802 and was quite deaf when writing many of his most famous pieces. So he was going deaf when he wrote the Eroica, and was almost completely deaf when he wrote the 9th symphony. A truly great composer

    Reply
  18. I love Beethoven’s music. It should be remembered that Beethoven started to go deaf in about 1802 and was quite deaf when writing many of his most famous pieces. So he was going deaf when he wrote the Eroica, and was almost completely deaf when he wrote the 9th symphony. A truly great composer

    Reply
  19. I love Beethoven’s music. It should be remembered that Beethoven started to go deaf in about 1802 and was quite deaf when writing many of his most famous pieces. So he was going deaf when he wrote the Eroica, and was almost completely deaf when he wrote the 9th symphony. A truly great composer

    Reply
  20. I love Beethoven’s music. It should be remembered that Beethoven started to go deaf in about 1802 and was quite deaf when writing many of his most famous pieces. So he was going deaf when he wrote the Eroica, and was almost completely deaf when he wrote the 9th symphony. A truly great composer

    Reply
  21. Love Beethoven. I can liste to all of his symphnies over and over but they are emotional. I usually have the radio on when trying to write but might have to try silence. Handel and Haydn are more what the regency people would have been hearing along with others whose names are seldom heard. Handel is easier to write to.

    Reply
  22. Love Beethoven. I can liste to all of his symphnies over and over but they are emotional. I usually have the radio on when trying to write but might have to try silence. Handel and Haydn are more what the regency people would have been hearing along with others whose names are seldom heard. Handel is easier to write to.

    Reply
  23. Love Beethoven. I can liste to all of his symphnies over and over but they are emotional. I usually have the radio on when trying to write but might have to try silence. Handel and Haydn are more what the regency people would have been hearing along with others whose names are seldom heard. Handel is easier to write to.

    Reply
  24. Love Beethoven. I can liste to all of his symphnies over and over but they are emotional. I usually have the radio on when trying to write but might have to try silence. Handel and Haydn are more what the regency people would have been hearing along with others whose names are seldom heard. Handel is easier to write to.

    Reply
  25. Love Beethoven. I can liste to all of his symphnies over and over but they are emotional. I usually have the radio on when trying to write but might have to try silence. Handel and Haydn are more what the regency people would have been hearing along with others whose names are seldom heard. Handel is easier to write to.

    Reply
  26. I go through phases with music. Ten or more years ago, I listened to a lot of classical, but I especially loved organ. Bruckner was my favorite.
    When I moved to my current city, I developed a deep affection for choral music. They had Sunday concerts at the main cathedral. Driving home, I would find myself not paying attention to traffic and trying to recall a particularly lyrical part.
    Two years ago, a friend introduced me to opera at the cinema. I haven’t taken up to listening to opera, but I love the performances.

    Reply
  27. I go through phases with music. Ten or more years ago, I listened to a lot of classical, but I especially loved organ. Bruckner was my favorite.
    When I moved to my current city, I developed a deep affection for choral music. They had Sunday concerts at the main cathedral. Driving home, I would find myself not paying attention to traffic and trying to recall a particularly lyrical part.
    Two years ago, a friend introduced me to opera at the cinema. I haven’t taken up to listening to opera, but I love the performances.

    Reply
  28. I go through phases with music. Ten or more years ago, I listened to a lot of classical, but I especially loved organ. Bruckner was my favorite.
    When I moved to my current city, I developed a deep affection for choral music. They had Sunday concerts at the main cathedral. Driving home, I would find myself not paying attention to traffic and trying to recall a particularly lyrical part.
    Two years ago, a friend introduced me to opera at the cinema. I haven’t taken up to listening to opera, but I love the performances.

    Reply
  29. I go through phases with music. Ten or more years ago, I listened to a lot of classical, but I especially loved organ. Bruckner was my favorite.
    When I moved to my current city, I developed a deep affection for choral music. They had Sunday concerts at the main cathedral. Driving home, I would find myself not paying attention to traffic and trying to recall a particularly lyrical part.
    Two years ago, a friend introduced me to opera at the cinema. I haven’t taken up to listening to opera, but I love the performances.

    Reply
  30. I go through phases with music. Ten or more years ago, I listened to a lot of classical, but I especially loved organ. Bruckner was my favorite.
    When I moved to my current city, I developed a deep affection for choral music. They had Sunday concerts at the main cathedral. Driving home, I would find myself not paying attention to traffic and trying to recall a particularly lyrical part.
    Two years ago, a friend introduced me to opera at the cinema. I haven’t taken up to listening to opera, but I love the performances.

    Reply
  31. Organ music is beautiful, Shannon. As is Baroque harpsichord music. I really enjoy opera onstage, but know so little about its nuances—-there is so much to learn about music! Slowly but surely I hope to become more educated on how to appreciate it more deeply.

    Reply
  32. Organ music is beautiful, Shannon. As is Baroque harpsichord music. I really enjoy opera onstage, but know so little about its nuances—-there is so much to learn about music! Slowly but surely I hope to become more educated on how to appreciate it more deeply.

    Reply
  33. Organ music is beautiful, Shannon. As is Baroque harpsichord music. I really enjoy opera onstage, but know so little about its nuances—-there is so much to learn about music! Slowly but surely I hope to become more educated on how to appreciate it more deeply.

    Reply
  34. Organ music is beautiful, Shannon. As is Baroque harpsichord music. I really enjoy opera onstage, but know so little about its nuances—-there is so much to learn about music! Slowly but surely I hope to become more educated on how to appreciate it more deeply.

    Reply
  35. Organ music is beautiful, Shannon. As is Baroque harpsichord music. I really enjoy opera onstage, but know so little about its nuances—-there is so much to learn about music! Slowly but surely I hope to become more educated on how to appreciate it more deeply.

    Reply
  36. I learned to write to music eons ago– especially when I get to the point of wanting to crumple and stomp on pages. I don’t know what it is about music that reaches down into the subconscious and brings out story that I hadn’t known was there. I tend toward Tchaikovsky and Vivaldi but I should dig through my files and find Beethoven when I’m writing the Regencies, shouldn’t I?

    Reply
  37. I learned to write to music eons ago– especially when I get to the point of wanting to crumple and stomp on pages. I don’t know what it is about music that reaches down into the subconscious and brings out story that I hadn’t known was there. I tend toward Tchaikovsky and Vivaldi but I should dig through my files and find Beethoven when I’m writing the Regencies, shouldn’t I?

    Reply
  38. I learned to write to music eons ago– especially when I get to the point of wanting to crumple and stomp on pages. I don’t know what it is about music that reaches down into the subconscious and brings out story that I hadn’t known was there. I tend toward Tchaikovsky and Vivaldi but I should dig through my files and find Beethoven when I’m writing the Regencies, shouldn’t I?

    Reply
  39. I learned to write to music eons ago– especially when I get to the point of wanting to crumple and stomp on pages. I don’t know what it is about music that reaches down into the subconscious and brings out story that I hadn’t known was there. I tend toward Tchaikovsky and Vivaldi but I should dig through my files and find Beethoven when I’m writing the Regencies, shouldn’t I?

    Reply
  40. I learned to write to music eons ago– especially when I get to the point of wanting to crumple and stomp on pages. I don’t know what it is about music that reaches down into the subconscious and brings out story that I hadn’t known was there. I tend toward Tchaikovsky and Vivaldi but I should dig through my files and find Beethoven when I’m writing the Regencies, shouldn’t I?

    Reply
  41. Beethoven is very fitting for regencies, Pat. You are way ahead of me, but yes, music does seem to coax the Creative Muse . . .and at least it’s soothing to hear something other than the whir of a blank mind when I sit staring at the screen But in all seriousness, I am enjoying this new-found routine, and look forward to learning more about music as I do so.

    Reply
  42. Beethoven is very fitting for regencies, Pat. You are way ahead of me, but yes, music does seem to coax the Creative Muse . . .and at least it’s soothing to hear something other than the whir of a blank mind when I sit staring at the screen But in all seriousness, I am enjoying this new-found routine, and look forward to learning more about music as I do so.

    Reply
  43. Beethoven is very fitting for regencies, Pat. You are way ahead of me, but yes, music does seem to coax the Creative Muse . . .and at least it’s soothing to hear something other than the whir of a blank mind when I sit staring at the screen But in all seriousness, I am enjoying this new-found routine, and look forward to learning more about music as I do so.

    Reply
  44. Beethoven is very fitting for regencies, Pat. You are way ahead of me, but yes, music does seem to coax the Creative Muse . . .and at least it’s soothing to hear something other than the whir of a blank mind when I sit staring at the screen But in all seriousness, I am enjoying this new-found routine, and look forward to learning more about music as I do so.

    Reply
  45. Beethoven is very fitting for regencies, Pat. You are way ahead of me, but yes, music does seem to coax the Creative Muse . . .and at least it’s soothing to hear something other than the whir of a blank mind when I sit staring at the screen But in all seriousness, I am enjoying this new-found routine, and look forward to learning more about music as I do so.

    Reply
  46. As a classically trained musician it makes me smile to hear someone is discovering the incredible genius that was and is Beethoven. He is my hero for so many reasons. He was the first major composer to break away from the idea of musician/composer as servant. He simply refused to see himself as subservient to anyone. He was the first major composer to make use of a heavy brass section in his orchestral pieces. My addiction to his music is rather funny as his pieces for singers are some of the toughest around. I’ve only performed his sole opera, Fidelio, once and those of us in the cast decided during rehearsals that he really didn’t like singers! LOL Actually the difficulty is he wrote for singers the way he did for instrumentalists – with no mercy!
    He had so many disappointments in life. He fought so hard on so many levels to achieve what he did. At the debut of his Ninth Symphony he stood on the podium while someone else conducted. And when it was over the hall erupted into waves upon waves of applause. The conductor had to turn him around so he could see the audience on their feet roaring their approval. He had to see it because he could not hear it. But perhaps that is the reason his work was so incredible. He didn’t write it for applause or the praise of others. He wrote it because he must and with no thought to the opinion of others he wrote it the way it had to be written, the way it was given to him by whatever muse he served. When I grow up I want to write romance like that.

    Reply
  47. As a classically trained musician it makes me smile to hear someone is discovering the incredible genius that was and is Beethoven. He is my hero for so many reasons. He was the first major composer to break away from the idea of musician/composer as servant. He simply refused to see himself as subservient to anyone. He was the first major composer to make use of a heavy brass section in his orchestral pieces. My addiction to his music is rather funny as his pieces for singers are some of the toughest around. I’ve only performed his sole opera, Fidelio, once and those of us in the cast decided during rehearsals that he really didn’t like singers! LOL Actually the difficulty is he wrote for singers the way he did for instrumentalists – with no mercy!
    He had so many disappointments in life. He fought so hard on so many levels to achieve what he did. At the debut of his Ninth Symphony he stood on the podium while someone else conducted. And when it was over the hall erupted into waves upon waves of applause. The conductor had to turn him around so he could see the audience on their feet roaring their approval. He had to see it because he could not hear it. But perhaps that is the reason his work was so incredible. He didn’t write it for applause or the praise of others. He wrote it because he must and with no thought to the opinion of others he wrote it the way it had to be written, the way it was given to him by whatever muse he served. When I grow up I want to write romance like that.

    Reply
  48. As a classically trained musician it makes me smile to hear someone is discovering the incredible genius that was and is Beethoven. He is my hero for so many reasons. He was the first major composer to break away from the idea of musician/composer as servant. He simply refused to see himself as subservient to anyone. He was the first major composer to make use of a heavy brass section in his orchestral pieces. My addiction to his music is rather funny as his pieces for singers are some of the toughest around. I’ve only performed his sole opera, Fidelio, once and those of us in the cast decided during rehearsals that he really didn’t like singers! LOL Actually the difficulty is he wrote for singers the way he did for instrumentalists – with no mercy!
    He had so many disappointments in life. He fought so hard on so many levels to achieve what he did. At the debut of his Ninth Symphony he stood on the podium while someone else conducted. And when it was over the hall erupted into waves upon waves of applause. The conductor had to turn him around so he could see the audience on their feet roaring their approval. He had to see it because he could not hear it. But perhaps that is the reason his work was so incredible. He didn’t write it for applause or the praise of others. He wrote it because he must and with no thought to the opinion of others he wrote it the way it had to be written, the way it was given to him by whatever muse he served. When I grow up I want to write romance like that.

    Reply
  49. As a classically trained musician it makes me smile to hear someone is discovering the incredible genius that was and is Beethoven. He is my hero for so many reasons. He was the first major composer to break away from the idea of musician/composer as servant. He simply refused to see himself as subservient to anyone. He was the first major composer to make use of a heavy brass section in his orchestral pieces. My addiction to his music is rather funny as his pieces for singers are some of the toughest around. I’ve only performed his sole opera, Fidelio, once and those of us in the cast decided during rehearsals that he really didn’t like singers! LOL Actually the difficulty is he wrote for singers the way he did for instrumentalists – with no mercy!
    He had so many disappointments in life. He fought so hard on so many levels to achieve what he did. At the debut of his Ninth Symphony he stood on the podium while someone else conducted. And when it was over the hall erupted into waves upon waves of applause. The conductor had to turn him around so he could see the audience on their feet roaring their approval. He had to see it because he could not hear it. But perhaps that is the reason his work was so incredible. He didn’t write it for applause or the praise of others. He wrote it because he must and with no thought to the opinion of others he wrote it the way it had to be written, the way it was given to him by whatever muse he served. When I grow up I want to write romance like that.

    Reply
  50. As a classically trained musician it makes me smile to hear someone is discovering the incredible genius that was and is Beethoven. He is my hero for so many reasons. He was the first major composer to break away from the idea of musician/composer as servant. He simply refused to see himself as subservient to anyone. He was the first major composer to make use of a heavy brass section in his orchestral pieces. My addiction to his music is rather funny as his pieces for singers are some of the toughest around. I’ve only performed his sole opera, Fidelio, once and those of us in the cast decided during rehearsals that he really didn’t like singers! LOL Actually the difficulty is he wrote for singers the way he did for instrumentalists – with no mercy!
    He had so many disappointments in life. He fought so hard on so many levels to achieve what he did. At the debut of his Ninth Symphony he stood on the podium while someone else conducted. And when it was over the hall erupted into waves upon waves of applause. The conductor had to turn him around so he could see the audience on their feet roaring their approval. He had to see it because he could not hear it. But perhaps that is the reason his work was so incredible. He didn’t write it for applause or the praise of others. He wrote it because he must and with no thought to the opinion of others he wrote it the way it had to be written, the way it was given to him by whatever muse he served. When I grow up I want to write romance like that.

    Reply
  51. Thank you so much for such a lyrical posting, Louisa. Beethoven really was an amazing man as well as an artistic genius. As you point out, he had incredible courage and conviction to stand firm for both his art and his beliefs in how he should be treated.
    I’m ashamed that I’ve come to his music so late, but am really enjoying getting to know it better. I intend to do a lot more reading about him and classical music. Have just downloaded a Yale University course from their Open Yale website (a complete undergrad course taped in the classroom) on “Listening To Music” Really looking forward to learning more about the subject!

    Reply
  52. Thank you so much for such a lyrical posting, Louisa. Beethoven really was an amazing man as well as an artistic genius. As you point out, he had incredible courage and conviction to stand firm for both his art and his beliefs in how he should be treated.
    I’m ashamed that I’ve come to his music so late, but am really enjoying getting to know it better. I intend to do a lot more reading about him and classical music. Have just downloaded a Yale University course from their Open Yale website (a complete undergrad course taped in the classroom) on “Listening To Music” Really looking forward to learning more about the subject!

    Reply
  53. Thank you so much for such a lyrical posting, Louisa. Beethoven really was an amazing man as well as an artistic genius. As you point out, he had incredible courage and conviction to stand firm for both his art and his beliefs in how he should be treated.
    I’m ashamed that I’ve come to his music so late, but am really enjoying getting to know it better. I intend to do a lot more reading about him and classical music. Have just downloaded a Yale University course from their Open Yale website (a complete undergrad course taped in the classroom) on “Listening To Music” Really looking forward to learning more about the subject!

    Reply
  54. Thank you so much for such a lyrical posting, Louisa. Beethoven really was an amazing man as well as an artistic genius. As you point out, he had incredible courage and conviction to stand firm for both his art and his beliefs in how he should be treated.
    I’m ashamed that I’ve come to his music so late, but am really enjoying getting to know it better. I intend to do a lot more reading about him and classical music. Have just downloaded a Yale University course from their Open Yale website (a complete undergrad course taped in the classroom) on “Listening To Music” Really looking forward to learning more about the subject!

    Reply
  55. Thank you so much for such a lyrical posting, Louisa. Beethoven really was an amazing man as well as an artistic genius. As you point out, he had incredible courage and conviction to stand firm for both his art and his beliefs in how he should be treated.
    I’m ashamed that I’ve come to his music so late, but am really enjoying getting to know it better. I intend to do a lot more reading about him and classical music. Have just downloaded a Yale University course from their Open Yale website (a complete undergrad course taped in the classroom) on “Listening To Music” Really looking forward to learning more about the subject!

    Reply
  56. Louisa, I’ve always heard that Beethoven realized the audience was applauding at the end of the debut of the 9th because he felt the vibrations of their clapping and stomping feet. I hope that story is true! I love all the symphonies, but #9 is my favorite along with Piano Concerto #5(the Emperor) and the Violin Concerto in D. I’ve got a couple of sets of the symphonies including my father’s old LPs-the RCA Red Seal recordings conducted by Toscanini.
    What I love about Beethoven is, it is the only music I can tolerate listening to in times of terrible depression and grief. He suffered much in his life, it’s all in the music, and the messages he is still sending us are universal.
    I love when I read a romance,or any book for that matter, and the characters perform or listen to a piece of music I also am familiar with. It makes me feel something in common with them.

    Reply
  57. Louisa, I’ve always heard that Beethoven realized the audience was applauding at the end of the debut of the 9th because he felt the vibrations of their clapping and stomping feet. I hope that story is true! I love all the symphonies, but #9 is my favorite along with Piano Concerto #5(the Emperor) and the Violin Concerto in D. I’ve got a couple of sets of the symphonies including my father’s old LPs-the RCA Red Seal recordings conducted by Toscanini.
    What I love about Beethoven is, it is the only music I can tolerate listening to in times of terrible depression and grief. He suffered much in his life, it’s all in the music, and the messages he is still sending us are universal.
    I love when I read a romance,or any book for that matter, and the characters perform or listen to a piece of music I also am familiar with. It makes me feel something in common with them.

    Reply
  58. Louisa, I’ve always heard that Beethoven realized the audience was applauding at the end of the debut of the 9th because he felt the vibrations of their clapping and stomping feet. I hope that story is true! I love all the symphonies, but #9 is my favorite along with Piano Concerto #5(the Emperor) and the Violin Concerto in D. I’ve got a couple of sets of the symphonies including my father’s old LPs-the RCA Red Seal recordings conducted by Toscanini.
    What I love about Beethoven is, it is the only music I can tolerate listening to in times of terrible depression and grief. He suffered much in his life, it’s all in the music, and the messages he is still sending us are universal.
    I love when I read a romance,or any book for that matter, and the characters perform or listen to a piece of music I also am familiar with. It makes me feel something in common with them.

    Reply
  59. Louisa, I’ve always heard that Beethoven realized the audience was applauding at the end of the debut of the 9th because he felt the vibrations of their clapping and stomping feet. I hope that story is true! I love all the symphonies, but #9 is my favorite along with Piano Concerto #5(the Emperor) and the Violin Concerto in D. I’ve got a couple of sets of the symphonies including my father’s old LPs-the RCA Red Seal recordings conducted by Toscanini.
    What I love about Beethoven is, it is the only music I can tolerate listening to in times of terrible depression and grief. He suffered much in his life, it’s all in the music, and the messages he is still sending us are universal.
    I love when I read a romance,or any book for that matter, and the characters perform or listen to a piece of music I also am familiar with. It makes me feel something in common with them.

    Reply
  60. Louisa, I’ve always heard that Beethoven realized the audience was applauding at the end of the debut of the 9th because he felt the vibrations of their clapping and stomping feet. I hope that story is true! I love all the symphonies, but #9 is my favorite along with Piano Concerto #5(the Emperor) and the Violin Concerto in D. I’ve got a couple of sets of the symphonies including my father’s old LPs-the RCA Red Seal recordings conducted by Toscanini.
    What I love about Beethoven is, it is the only music I can tolerate listening to in times of terrible depression and grief. He suffered much in his life, it’s all in the music, and the messages he is still sending us are universal.
    I love when I read a romance,or any book for that matter, and the characters perform or listen to a piece of music I also am familiar with. It makes me feel something in common with them.

    Reply
  61. Karin, Beethoven’s music is so expressive, and heartfelt—and uplifting. Just listening the the fourth movement of #5 right now. Magnificent.
    He seems to have had a troubled and unhappy life, and yet the poetry of his music is essentially so full of hope and joy and triumph over adversity.

    Reply
  62. Karin, Beethoven’s music is so expressive, and heartfelt—and uplifting. Just listening the the fourth movement of #5 right now. Magnificent.
    He seems to have had a troubled and unhappy life, and yet the poetry of his music is essentially so full of hope and joy and triumph over adversity.

    Reply
  63. Karin, Beethoven’s music is so expressive, and heartfelt—and uplifting. Just listening the the fourth movement of #5 right now. Magnificent.
    He seems to have had a troubled and unhappy life, and yet the poetry of his music is essentially so full of hope and joy and triumph over adversity.

    Reply
  64. Karin, Beethoven’s music is so expressive, and heartfelt—and uplifting. Just listening the the fourth movement of #5 right now. Magnificent.
    He seems to have had a troubled and unhappy life, and yet the poetry of his music is essentially so full of hope and joy and triumph over adversity.

    Reply
  65. Karin, Beethoven’s music is so expressive, and heartfelt—and uplifting. Just listening the the fourth movement of #5 right now. Magnificent.
    He seems to have had a troubled and unhappy life, and yet the poetry of his music is essentially so full of hope and joy and triumph over adversity.

    Reply
  66. Cara, I envy you discovering his music for the first time. What an amazing experience it must be. And I know the Yale course will introduce you to so many wonderful composers! A particular favorite of mine is British composer Ralph Vaughan Williams. If you get the chance listen to his Fantasisa on a Theme by Thomas Tallis and his London Suite. Incredible.

    Reply
  67. Cara, I envy you discovering his music for the first time. What an amazing experience it must be. And I know the Yale course will introduce you to so many wonderful composers! A particular favorite of mine is British composer Ralph Vaughan Williams. If you get the chance listen to his Fantasisa on a Theme by Thomas Tallis and his London Suite. Incredible.

    Reply
  68. Cara, I envy you discovering his music for the first time. What an amazing experience it must be. And I know the Yale course will introduce you to so many wonderful composers! A particular favorite of mine is British composer Ralph Vaughan Williams. If you get the chance listen to his Fantasisa on a Theme by Thomas Tallis and his London Suite. Incredible.

    Reply
  69. Cara, I envy you discovering his music for the first time. What an amazing experience it must be. And I know the Yale course will introduce you to so many wonderful composers! A particular favorite of mine is British composer Ralph Vaughan Williams. If you get the chance listen to his Fantasisa on a Theme by Thomas Tallis and his London Suite. Incredible.

    Reply
  70. Cara, I envy you discovering his music for the first time. What an amazing experience it must be. And I know the Yale course will introduce you to so many wonderful composers! A particular favorite of mine is British composer Ralph Vaughan Williams. If you get the chance listen to his Fantasisa on a Theme by Thomas Tallis and his London Suite. Incredible.

    Reply
  71. The Alvin Ailey dance troupe had a piece in its repertoire done to Ralph Vaughan Williams “A Lark Ascending”, a beautiful piece of music. What a treat it is to converse about music, art, history, or anything, with such a knowledgeable and cultured bunch of wenches!

    Reply
  72. The Alvin Ailey dance troupe had a piece in its repertoire done to Ralph Vaughan Williams “A Lark Ascending”, a beautiful piece of music. What a treat it is to converse about music, art, history, or anything, with such a knowledgeable and cultured bunch of wenches!

    Reply
  73. The Alvin Ailey dance troupe had a piece in its repertoire done to Ralph Vaughan Williams “A Lark Ascending”, a beautiful piece of music. What a treat it is to converse about music, art, history, or anything, with such a knowledgeable and cultured bunch of wenches!

    Reply
  74. The Alvin Ailey dance troupe had a piece in its repertoire done to Ralph Vaughan Williams “A Lark Ascending”, a beautiful piece of music. What a treat it is to converse about music, art, history, or anything, with such a knowledgeable and cultured bunch of wenches!

    Reply
  75. The Alvin Ailey dance troupe had a piece in its repertoire done to Ralph Vaughan Williams “A Lark Ascending”, a beautiful piece of music. What a treat it is to converse about music, art, history, or anything, with such a knowledgeable and cultured bunch of wenches!

    Reply
  76. Louisa, thanks so much for the recommendation! I will look for RVW’s music. In some ways I feel silly, not having delved into classical music earlier. But it’s also very exciting to be learning new things now, so I’m really looking forward to countless enjoyable hours ahead!

    Reply
  77. Louisa, thanks so much for the recommendation! I will look for RVW’s music. In some ways I feel silly, not having delved into classical music earlier. But it’s also very exciting to be learning new things now, so I’m really looking forward to countless enjoyable hours ahead!

    Reply
  78. Louisa, thanks so much for the recommendation! I will look for RVW’s music. In some ways I feel silly, not having delved into classical music earlier. But it’s also very exciting to be learning new things now, so I’m really looking forward to countless enjoyable hours ahead!

    Reply
  79. Louisa, thanks so much for the recommendation! I will look for RVW’s music. In some ways I feel silly, not having delved into classical music earlier. But it’s also very exciting to be learning new things now, so I’m really looking forward to countless enjoyable hours ahead!

    Reply
  80. Louisa, thanks so much for the recommendation! I will look for RVW’s music. In some ways I feel silly, not having delved into classical music earlier. But it’s also very exciting to be learning new things now, so I’m really looking forward to countless enjoyable hours ahead!

    Reply

Leave a Comment