Ask A Wench–about active research

LibrariangraphicPat here, pulling another question out of Ye Olde Grab bag—except it’s another question one of the wenches threw in. We do like to talk to ourselves!

"Have you ever acted out scenes, put yourself literally in the place of the character, learned a  craft/sport/etc to put into a story?"



I will admit, that like Jo below, I am a passive writer. I like sitting in my comfortable office imagininRice-UndercoverGenius200x300g what it might be like to be tied to a chair or on a sailboat crossing the ocean. I really don’t want to experience those things—although I have gone out on old ships for a few hours. That was more than enough for me! In historicals, the reality of daily life can be pretty painful, and I don’t believe my readers really want to live through what my characters accepted as normal. 

But I do love setting, so I’ll take any chance I can to travel to the area I’m writing about and explore old houses! And for the contemporary mystery coming out next month, Undercover Genius, I visited Washington D.C. so I had a good idea where my heroine’s house is and what Metro trains she would take. And then there’s all the other marvelous D.C. sights like the Smithsonian…  So no acting out scenes but lots of looking.

Jo Beverly:
I don't think I have much to contribute on this one. I do it in my head, or by talking to people who do it. I once consulted some reenactors about the effect of arrows on chain mail for a specific scene. That was interesting. I did shoot a flintlock pistol once, Amumfras general research — heavy and noisy — and I've done a bit of Regency dancing in the same spirit. I suppose the closest to acting out was when our heating went out in February while I was writing a book set in winter. That was A Most Unsuitable Man.

Cara/Andrea:
I don’t often consciously “try out” activities of my characters as I write them, but I’m weaving in my past experiences—often my admittedly offbeat ones!—all the time. As many of you know, I’m the resident Wench “jock” so I’m willing to try most any sporting endeavor . . . even if it means playing golf in Scotland in gale-force winds with the freezing rain blowing sideways. (Not recommended for the faint-at-heart, but hey, it was St. Andrews!) I sooth the aches and bumps by reminding myself it’s research and will somehow prove useful for a book. And sure enough, I used the scene it in my Signet Regency A Diamond In The Rough, which is a golf romance. AD-motorcycle

Then there was the really stormy sailing scene in our Wench anthology, Mischief and Mistletoe. Yup—been there, done that. (Note to self: you get really seasick in rough waters.) Fencing, riding . . . all very useful for a Regency writer. I have yet to figure out how to use going over a mountain pass in the Alps—in a summer snowstorm!—on a motorcycle. But I’m working on it.

Nicola:
I've never acted out my scenes but I love researching my books and hands on research can be a lot of fun. I've done carriage driving and Regency dancing and a bit of sword fighting for my 17th century historical romance, but the research that really sticks in my mind was trying out engraving when I was writing The Rake's Mistress. The heroine was a glass engraver, and I wanted to know what the process would involve, so I went to talk to an acquaintance who works as a jeweler. She showed me the tools Whisper_uk_350that would have been used in the 19th century and talked me through the engraver's art. I even gave it a little try although I didn't want to ruin anyone's beautiful glass!  
The other experience I loved was travelling to the Arctic when I was researching Whisper of Scandal. A lot of the characters' experiences in that book were based on mine during that trip—everything from the creaking of the ice when the ship was trapped to partying on deck in 24 hour daylight!

Anne:

I'm nowhere near as good as Nicola for actively doing research. Most of mine comes from books or websites. It's difficult to physically research a lot of Regency England things from Australia.

And I don't precisely act my stories out, but I will work out the actions physically when it comes to certain scenes. For instance when I was trying to work out how a heroine could get a semi-conscious injured hero up the stairs of a small cottage, I Anne Melbourne cottagewhizzed down to Captain Cook's Cottage in Melbourne, and walked slowly up the stairs, trying to imagine a semiconscious man slowing things down. I took all sorts of measurements and used the cottage as the model for my heroine. (The Virtuous Widow) For sea voyages I visit actual sailing ships and museums like the Immigration Museum in Melbourne, which has actual examples of cabins and interiors.

Quite a lot of the things my heroines do in my books I can do myself, like keeping bees, and growing things, also some of their crafts. As for acting it out, I will occasionally physically act out things like fight scenes — not dramatically, and sometimes from my computer seat — just to check that it all makes sense. Otherwise I have been known to wrestle a rolled up rug on the floor of my home, and I often carry an unconscious rolled-up rug around the house, noting where its face and feet are. <g> I have undressed an unconscious rolled-up rug, too, while sitting under it on a floor. I might dance with a rolled-up rug, sharing the dance floor with a standard lamp (tragically dancing alone, poor thing.) I suppose the rug ought to get a credit on my acknowledgments page, but sadly I take it for granted.

Joanna:

I wrote a blind heroine once — my Annique.  For 80 pages or so a blind Annique was dealing with the everyday world, walking around, eating, building fires, fighting with quarterstaff, and taking bullets out of people . . . as one does. Bourne

To give me some insight, I'd close my eyes and try to do the ordinary household stuff without sight.  Blind, you immediately figure out dozens of little tricks, none of which I would have thought of before I walked through the exercise.  You stick a thumb into the edge of a cup to know when it's getting full.  You touch the edge of the plate with your little finger and make a handspan to measure where the cup should go.

What surprised me most, I guess, was how astonishingly easy it is to get disoriented in space.  I'd just know I was walking straight down the hall and BUMP — how did the wall get THERE?  A person in darkness would want to keep one small touch on something solid to know where they were.  

I came away from this with bottomless admiration for the folks who navigate the world this way all the time.

 

Susan:

SusanKing_TheStoneMaiden200With every novel I've written, along with the research in books and online, I've done quite a bit of experiential research too–not only because I love research, but because I'm looking for more than I can find in history sources. I'm looking for what the characters would experience–and for the unique little bits and details that bring life to the research and authenticity to historical fiction in particular. So I’ve had some real adventures in research along the way. I’ve talked to historians and archaeologists, musicians, a swordsmith, a blacksmith, archery experts, falconers, stonecarvers, doctors, a gypsy, martial artists, and professional knights. I’ve taken lessons in Celtic harp and archery, I've gone hawking, I've taken self-defense classes and I've been tutored by a 10th dan black belt in catching arrows.  
 
Going at the research experientially teaches me more than I can sometimes glean from a written research source. And often a lovely synchronicity comes with it. Often, if I needed to know something–about falconry, fiddling, harpistry, swordplay, or some obscure bit of historical information that I could not find in a book–whatever it happened to be, I have been lucky enough to come across just the right source, the right expert at the right time. And it's one of the ways that I know I'm on the right track with a book project. If I'm off track somehow in the story, stuff doesn't click smoothly. I can't explain it, but I've learned to thank my book angels for the lovely research luck and the fun that comes with it!  

So how about you? If you’re a writer, have you acted out scenes or picked up a new sport for the sake of research? And if you’re a reader, do you like the bits of detail that come from this kind of research? Oh, and what kind of detail would you LIKE to see in a historical?

85 thoughts on “Ask A Wench–about active research”

  1. I love the details that pretty obviously come from experiential research. The catching of arrows was one example. Hawking fascinates me; I have seen hunting hawks in the El-Ain zoo and a handler showed me how someone might carry them but to see them fly…
    I have ridden horses but have never gotten good enough to fly like so many heroines. Several authors have captured the awkwardness of a camel getting up with a rider on its back. The Society for Creative Anachronism has delighted me with sword fights, fencing matches, and a demonstration of a flail.
    I’ve ridden in a horse drawn carriage and a sleigh but I’d really like to ride in one of the carriages on exhibit in a museum on pitted and pot-holed dirt roads. I guess I do like knowing some of the misery of our heroines.

    Reply
  2. I love the details that pretty obviously come from experiential research. The catching of arrows was one example. Hawking fascinates me; I have seen hunting hawks in the El-Ain zoo and a handler showed me how someone might carry them but to see them fly…
    I have ridden horses but have never gotten good enough to fly like so many heroines. Several authors have captured the awkwardness of a camel getting up with a rider on its back. The Society for Creative Anachronism has delighted me with sword fights, fencing matches, and a demonstration of a flail.
    I’ve ridden in a horse drawn carriage and a sleigh but I’d really like to ride in one of the carriages on exhibit in a museum on pitted and pot-holed dirt roads. I guess I do like knowing some of the misery of our heroines.

    Reply
  3. I love the details that pretty obviously come from experiential research. The catching of arrows was one example. Hawking fascinates me; I have seen hunting hawks in the El-Ain zoo and a handler showed me how someone might carry them but to see them fly…
    I have ridden horses but have never gotten good enough to fly like so many heroines. Several authors have captured the awkwardness of a camel getting up with a rider on its back. The Society for Creative Anachronism has delighted me with sword fights, fencing matches, and a demonstration of a flail.
    I’ve ridden in a horse drawn carriage and a sleigh but I’d really like to ride in one of the carriages on exhibit in a museum on pitted and pot-holed dirt roads. I guess I do like knowing some of the misery of our heroines.

    Reply
  4. I love the details that pretty obviously come from experiential research. The catching of arrows was one example. Hawking fascinates me; I have seen hunting hawks in the El-Ain zoo and a handler showed me how someone might carry them but to see them fly…
    I have ridden horses but have never gotten good enough to fly like so many heroines. Several authors have captured the awkwardness of a camel getting up with a rider on its back. The Society for Creative Anachronism has delighted me with sword fights, fencing matches, and a demonstration of a flail.
    I’ve ridden in a horse drawn carriage and a sleigh but I’d really like to ride in one of the carriages on exhibit in a museum on pitted and pot-holed dirt roads. I guess I do like knowing some of the misery of our heroines.

    Reply
  5. I love the details that pretty obviously come from experiential research. The catching of arrows was one example. Hawking fascinates me; I have seen hunting hawks in the El-Ain zoo and a handler showed me how someone might carry them but to see them fly…
    I have ridden horses but have never gotten good enough to fly like so many heroines. Several authors have captured the awkwardness of a camel getting up with a rider on its back. The Society for Creative Anachronism has delighted me with sword fights, fencing matches, and a demonstration of a flail.
    I’ve ridden in a horse drawn carriage and a sleigh but I’d really like to ride in one of the carriages on exhibit in a museum on pitted and pot-holed dirt roads. I guess I do like knowing some of the misery of our heroines.

    Reply
  6. I think it should be compulsory for all authors to wrestle rugs in the name of research (and put it on YouTube).
    One thing – which I wouldn’t recommend getting personal experience with! – I always notice is how injuries are portrayed in books. However, I’m not suggesting anybody go and break their leg to see what the experience is like!
    For example, I read about a contemporary heroine who was bedridden for a month and taking prescription painkillers for a *minor* arm injury. The there’re the heroes who recover from gunshot wounds in half an hour…
    Obviously nobody’s going to be able to experience Regency England in order to draw everything from their own experiences, but I like when there’re little touches that make it obvious a scene has some personal experience in it. The mention of a minor detail of a London location, for example. Or a particular mention of how something tastes or feels.

    Reply
  7. I think it should be compulsory for all authors to wrestle rugs in the name of research (and put it on YouTube).
    One thing – which I wouldn’t recommend getting personal experience with! – I always notice is how injuries are portrayed in books. However, I’m not suggesting anybody go and break their leg to see what the experience is like!
    For example, I read about a contemporary heroine who was bedridden for a month and taking prescription painkillers for a *minor* arm injury. The there’re the heroes who recover from gunshot wounds in half an hour…
    Obviously nobody’s going to be able to experience Regency England in order to draw everything from their own experiences, but I like when there’re little touches that make it obvious a scene has some personal experience in it. The mention of a minor detail of a London location, for example. Or a particular mention of how something tastes or feels.

    Reply
  8. I think it should be compulsory for all authors to wrestle rugs in the name of research (and put it on YouTube).
    One thing – which I wouldn’t recommend getting personal experience with! – I always notice is how injuries are portrayed in books. However, I’m not suggesting anybody go and break their leg to see what the experience is like!
    For example, I read about a contemporary heroine who was bedridden for a month and taking prescription painkillers for a *minor* arm injury. The there’re the heroes who recover from gunshot wounds in half an hour…
    Obviously nobody’s going to be able to experience Regency England in order to draw everything from their own experiences, but I like when there’re little touches that make it obvious a scene has some personal experience in it. The mention of a minor detail of a London location, for example. Or a particular mention of how something tastes or feels.

    Reply
  9. I think it should be compulsory for all authors to wrestle rugs in the name of research (and put it on YouTube).
    One thing – which I wouldn’t recommend getting personal experience with! – I always notice is how injuries are portrayed in books. However, I’m not suggesting anybody go and break their leg to see what the experience is like!
    For example, I read about a contemporary heroine who was bedridden for a month and taking prescription painkillers for a *minor* arm injury. The there’re the heroes who recover from gunshot wounds in half an hour…
    Obviously nobody’s going to be able to experience Regency England in order to draw everything from their own experiences, but I like when there’re little touches that make it obvious a scene has some personal experience in it. The mention of a minor detail of a London location, for example. Or a particular mention of how something tastes or feels.

    Reply
  10. I think it should be compulsory for all authors to wrestle rugs in the name of research (and put it on YouTube).
    One thing – which I wouldn’t recommend getting personal experience with! – I always notice is how injuries are portrayed in books. However, I’m not suggesting anybody go and break their leg to see what the experience is like!
    For example, I read about a contemporary heroine who was bedridden for a month and taking prescription painkillers for a *minor* arm injury. The there’re the heroes who recover from gunshot wounds in half an hour…
    Obviously nobody’s going to be able to experience Regency England in order to draw everything from their own experiences, but I like when there’re little touches that make it obvious a scene has some personal experience in it. The mention of a minor detail of a London location, for example. Or a particular mention of how something tastes or feels.

    Reply
  11. We live in rural Maine so when I needed to know how much my escaping heroine would be able to see at night in the woods under a full moon in winter I took a little walk on our back forty without a flashlight. I could see quite a lot, but it was definitely spooky! And of course walking through deep snow is always a challenge.

    Reply
  12. We live in rural Maine so when I needed to know how much my escaping heroine would be able to see at night in the woods under a full moon in winter I took a little walk on our back forty without a flashlight. I could see quite a lot, but it was definitely spooky! And of course walking through deep snow is always a challenge.

    Reply
  13. We live in rural Maine so when I needed to know how much my escaping heroine would be able to see at night in the woods under a full moon in winter I took a little walk on our back forty without a flashlight. I could see quite a lot, but it was definitely spooky! And of course walking through deep snow is always a challenge.

    Reply
  14. We live in rural Maine so when I needed to know how much my escaping heroine would be able to see at night in the woods under a full moon in winter I took a little walk on our back forty without a flashlight. I could see quite a lot, but it was definitely spooky! And of course walking through deep snow is always a challenge.

    Reply
  15. We live in rural Maine so when I needed to know how much my escaping heroine would be able to see at night in the woods under a full moon in winter I took a little walk on our back forty without a flashlight. I could see quite a lot, but it was definitely spooky! And of course walking through deep snow is always a challenge.

    Reply
  16. I’m so with you, Sonya. I want to see that rug wrestling too.
    And you’re absolutely right about those minor details that can really make a scene. Most of us have medical experts we consult, like Susan’s Dr. Josh who actually enjoys medical history. And in a contemporary, there’s really no excuse for not getting the medical right.

    Reply
  17. I’m so with you, Sonya. I want to see that rug wrestling too.
    And you’re absolutely right about those minor details that can really make a scene. Most of us have medical experts we consult, like Susan’s Dr. Josh who actually enjoys medical history. And in a contemporary, there’s really no excuse for not getting the medical right.

    Reply
  18. I’m so with you, Sonya. I want to see that rug wrestling too.
    And you’re absolutely right about those minor details that can really make a scene. Most of us have medical experts we consult, like Susan’s Dr. Josh who actually enjoys medical history. And in a contemporary, there’s really no excuse for not getting the medical right.

    Reply
  19. I’m so with you, Sonya. I want to see that rug wrestling too.
    And you’re absolutely right about those minor details that can really make a scene. Most of us have medical experts we consult, like Susan’s Dr. Josh who actually enjoys medical history. And in a contemporary, there’s really no excuse for not getting the medical right.

    Reply
  20. I’m so with you, Sonya. I want to see that rug wrestling too.
    And you’re absolutely right about those minor details that can really make a scene. Most of us have medical experts we consult, like Susan’s Dr. Josh who actually enjoys medical history. And in a contemporary, there’s really no excuse for not getting the medical right.

    Reply
  21. I can’t say that I have ever deliberately put myself into a pre-electricity, pre-central heating world, but storms have on occasion done that for me. While the world is dim by candlelight, it is possible to read or to sit and talk. Cooking, however, is another story. I can see why dinner came early in the day, while the cook could still see what she was doing!
    And last winter, when we had a week without heat, I had a real feel for how miserable winter was for most folks. And we have a fireplace. Among other things, a long soak in a bathtub did not appeal.

    Reply
  22. I can’t say that I have ever deliberately put myself into a pre-electricity, pre-central heating world, but storms have on occasion done that for me. While the world is dim by candlelight, it is possible to read or to sit and talk. Cooking, however, is another story. I can see why dinner came early in the day, while the cook could still see what she was doing!
    And last winter, when we had a week without heat, I had a real feel for how miserable winter was for most folks. And we have a fireplace. Among other things, a long soak in a bathtub did not appeal.

    Reply
  23. I can’t say that I have ever deliberately put myself into a pre-electricity, pre-central heating world, but storms have on occasion done that for me. While the world is dim by candlelight, it is possible to read or to sit and talk. Cooking, however, is another story. I can see why dinner came early in the day, while the cook could still see what she was doing!
    And last winter, when we had a week without heat, I had a real feel for how miserable winter was for most folks. And we have a fireplace. Among other things, a long soak in a bathtub did not appeal.

    Reply
  24. I can’t say that I have ever deliberately put myself into a pre-electricity, pre-central heating world, but storms have on occasion done that for me. While the world is dim by candlelight, it is possible to read or to sit and talk. Cooking, however, is another story. I can see why dinner came early in the day, while the cook could still see what she was doing!
    And last winter, when we had a week without heat, I had a real feel for how miserable winter was for most folks. And we have a fireplace. Among other things, a long soak in a bathtub did not appeal.

    Reply
  25. I can’t say that I have ever deliberately put myself into a pre-electricity, pre-central heating world, but storms have on occasion done that for me. While the world is dim by candlelight, it is possible to read or to sit and talk. Cooking, however, is another story. I can see why dinner came early in the day, while the cook could still see what she was doing!
    And last winter, when we had a week without heat, I had a real feel for how miserable winter was for most folks. And we have a fireplace. Among other things, a long soak in a bathtub did not appeal.

    Reply
  26. Anachronisms, especially in speech, drive me crazy and will keep me from reading an author, so I really appreciate good research.
    With that said, however, I can always tell when a book about Thoroughbred racing or breeding has been written by someone who researched the subject vs. written by someone who has actually worked around horses. A major prize-winning book about racing comes to mind; it was obvious to me from little things that the author had no experience of horses or racing although a lot of research had been done.
    It makes me wonder what Regency folks would say about many of the historical novels – or any time travelers for that matter reading historical fiction about their own period.
    And Pat, speaking of experiencing pre-electrical, central heating, etc. times, were you here during the 2002 ice storm? That was one solid week of 19th c. life. Probably worse as no one was prepared for it!

    Reply
  27. Anachronisms, especially in speech, drive me crazy and will keep me from reading an author, so I really appreciate good research.
    With that said, however, I can always tell when a book about Thoroughbred racing or breeding has been written by someone who researched the subject vs. written by someone who has actually worked around horses. A major prize-winning book about racing comes to mind; it was obvious to me from little things that the author had no experience of horses or racing although a lot of research had been done.
    It makes me wonder what Regency folks would say about many of the historical novels – or any time travelers for that matter reading historical fiction about their own period.
    And Pat, speaking of experiencing pre-electrical, central heating, etc. times, were you here during the 2002 ice storm? That was one solid week of 19th c. life. Probably worse as no one was prepared for it!

    Reply
  28. Anachronisms, especially in speech, drive me crazy and will keep me from reading an author, so I really appreciate good research.
    With that said, however, I can always tell when a book about Thoroughbred racing or breeding has been written by someone who researched the subject vs. written by someone who has actually worked around horses. A major prize-winning book about racing comes to mind; it was obvious to me from little things that the author had no experience of horses or racing although a lot of research had been done.
    It makes me wonder what Regency folks would say about many of the historical novels – or any time travelers for that matter reading historical fiction about their own period.
    And Pat, speaking of experiencing pre-electrical, central heating, etc. times, were you here during the 2002 ice storm? That was one solid week of 19th c. life. Probably worse as no one was prepared for it!

    Reply
  29. Anachronisms, especially in speech, drive me crazy and will keep me from reading an author, so I really appreciate good research.
    With that said, however, I can always tell when a book about Thoroughbred racing or breeding has been written by someone who researched the subject vs. written by someone who has actually worked around horses. A major prize-winning book about racing comes to mind; it was obvious to me from little things that the author had no experience of horses or racing although a lot of research had been done.
    It makes me wonder what Regency folks would say about many of the historical novels – or any time travelers for that matter reading historical fiction about their own period.
    And Pat, speaking of experiencing pre-electrical, central heating, etc. times, were you here during the 2002 ice storm? That was one solid week of 19th c. life. Probably worse as no one was prepared for it!

    Reply
  30. Anachronisms, especially in speech, drive me crazy and will keep me from reading an author, so I really appreciate good research.
    With that said, however, I can always tell when a book about Thoroughbred racing or breeding has been written by someone who researched the subject vs. written by someone who has actually worked around horses. A major prize-winning book about racing comes to mind; it was obvious to me from little things that the author had no experience of horses or racing although a lot of research had been done.
    It makes me wonder what Regency folks would say about many of the historical novels – or any time travelers for that matter reading historical fiction about their own period.
    And Pat, speaking of experiencing pre-electrical, central heating, etc. times, were you here during the 2002 ice storm? That was one solid week of 19th c. life. Probably worse as no one was prepared for it!

    Reply
  31. I’m off topic, but I just want to say how happy I am to find this blog – prompted by the info in Mischief and Mistletoe which I picked up at a library book sale. I love Regencies and all of yours are so charming with wonderful characters. At my age (73)I am trying to get rid of books (I’m a retired librarian and avid reader of all kinds of books) but book sales are irresistible and then I give away many books to keep the pleasure going.

    Reply
  32. I’m off topic, but I just want to say how happy I am to find this blog – prompted by the info in Mischief and Mistletoe which I picked up at a library book sale. I love Regencies and all of yours are so charming with wonderful characters. At my age (73)I am trying to get rid of books (I’m a retired librarian and avid reader of all kinds of books) but book sales are irresistible and then I give away many books to keep the pleasure going.

    Reply
  33. I’m off topic, but I just want to say how happy I am to find this blog – prompted by the info in Mischief and Mistletoe which I picked up at a library book sale. I love Regencies and all of yours are so charming with wonderful characters. At my age (73)I am trying to get rid of books (I’m a retired librarian and avid reader of all kinds of books) but book sales are irresistible and then I give away many books to keep the pleasure going.

    Reply
  34. I’m off topic, but I just want to say how happy I am to find this blog – prompted by the info in Mischief and Mistletoe which I picked up at a library book sale. I love Regencies and all of yours are so charming with wonderful characters. At my age (73)I am trying to get rid of books (I’m a retired librarian and avid reader of all kinds of books) but book sales are irresistible and then I give away many books to keep the pleasure going.

    Reply
  35. I’m off topic, but I just want to say how happy I am to find this blog – prompted by the info in Mischief and Mistletoe which I picked up at a library book sale. I love Regencies and all of yours are so charming with wonderful characters. At my age (73)I am trying to get rid of books (I’m a retired librarian and avid reader of all kinds of books) but book sales are irresistible and then I give away many books to keep the pleasure going.

    Reply
  36. “Anachronisms, especially in speech, drive me crazy and will keep me from reading an author.”
    Yes! When I read a book with Queen Victoria’s daughter saying, “I don’t know where your mind is at,” I nearly died!

    Reply
  37. “Anachronisms, especially in speech, drive me crazy and will keep me from reading an author.”
    Yes! When I read a book with Queen Victoria’s daughter saying, “I don’t know where your mind is at,” I nearly died!

    Reply
  38. “Anachronisms, especially in speech, drive me crazy and will keep me from reading an author.”
    Yes! When I read a book with Queen Victoria’s daughter saying, “I don’t know where your mind is at,” I nearly died!

    Reply
  39. “Anachronisms, especially in speech, drive me crazy and will keep me from reading an author.”
    Yes! When I read a book with Queen Victoria’s daughter saying, “I don’t know where your mind is at,” I nearly died!

    Reply
  40. “Anachronisms, especially in speech, drive me crazy and will keep me from reading an author.”
    Yes! When I read a book with Queen Victoria’s daughter saying, “I don’t know where your mind is at,” I nearly died!

    Reply
  41. We lived nearly a week without any utilities, including water since we were on a well. It was possible to get by, but not very pleasant! You were lucky to at least have the option of a tub!

    Reply
  42. We lived nearly a week without any utilities, including water since we were on a well. It was possible to get by, but not very pleasant! You were lucky to at least have the option of a tub!

    Reply
  43. We lived nearly a week without any utilities, including water since we were on a well. It was possible to get by, but not very pleasant! You were lucky to at least have the option of a tub!

    Reply
  44. We lived nearly a week without any utilities, including water since we were on a well. It was possible to get by, but not very pleasant! You were lucky to at least have the option of a tub!

    Reply
  45. We lived nearly a week without any utilities, including water since we were on a well. It was possible to get by, but not very pleasant! You were lucky to at least have the option of a tub!

    Reply
  46. Yes, Donna, see above. I was there. I will not willingly go here again.
    I think all readers intimately familiar with a subject will have problems with fiction dealing on that subject. Writers are human and they can’t just write about the one topic they know or people would start yawning, especially in romance. So we have to do the best we can when it comes to research. But not doing any, especially on a familiar topic like horses, will kill an audience quickly!

    Reply
  47. Yes, Donna, see above. I was there. I will not willingly go here again.
    I think all readers intimately familiar with a subject will have problems with fiction dealing on that subject. Writers are human and they can’t just write about the one topic they know or people would start yawning, especially in romance. So we have to do the best we can when it comes to research. But not doing any, especially on a familiar topic like horses, will kill an audience quickly!

    Reply
  48. Yes, Donna, see above. I was there. I will not willingly go here again.
    I think all readers intimately familiar with a subject will have problems with fiction dealing on that subject. Writers are human and they can’t just write about the one topic they know or people would start yawning, especially in romance. So we have to do the best we can when it comes to research. But not doing any, especially on a familiar topic like horses, will kill an audience quickly!

    Reply
  49. Yes, Donna, see above. I was there. I will not willingly go here again.
    I think all readers intimately familiar with a subject will have problems with fiction dealing on that subject. Writers are human and they can’t just write about the one topic they know or people would start yawning, especially in romance. So we have to do the best we can when it comes to research. But not doing any, especially on a familiar topic like horses, will kill an audience quickly!

    Reply
  50. Yes, Donna, see above. I was there. I will not willingly go here again.
    I think all readers intimately familiar with a subject will have problems with fiction dealing on that subject. Writers are human and they can’t just write about the one topic they know or people would start yawning, especially in romance. So we have to do the best we can when it comes to research. But not doing any, especially on a familiar topic like horses, will kill an audience quickly!

    Reply
  51. Welcome commonweeder, and may I say as a fan of puns, I love your nom de plume. Thank you for finding us and for the kind words. We love librarians here. Without you, we would not be authors.
    And I know about the guilty pleasure of too many books. I just gave up a library, and now I’m desperately trying to keep my acquisitions to ebooks. The library helps me with those books only in print!

    Reply
  52. Welcome commonweeder, and may I say as a fan of puns, I love your nom de plume. Thank you for finding us and for the kind words. We love librarians here. Without you, we would not be authors.
    And I know about the guilty pleasure of too many books. I just gave up a library, and now I’m desperately trying to keep my acquisitions to ebooks. The library helps me with those books only in print!

    Reply
  53. Welcome commonweeder, and may I say as a fan of puns, I love your nom de plume. Thank you for finding us and for the kind words. We love librarians here. Without you, we would not be authors.
    And I know about the guilty pleasure of too many books. I just gave up a library, and now I’m desperately trying to keep my acquisitions to ebooks. The library helps me with those books only in print!

    Reply
  54. Welcome commonweeder, and may I say as a fan of puns, I love your nom de plume. Thank you for finding us and for the kind words. We love librarians here. Without you, we would not be authors.
    And I know about the guilty pleasure of too many books. I just gave up a library, and now I’m desperately trying to keep my acquisitions to ebooks. The library helps me with those books only in print!

    Reply
  55. Welcome commonweeder, and may I say as a fan of puns, I love your nom de plume. Thank you for finding us and for the kind words. We love librarians here. Without you, we would not be authors.
    And I know about the guilty pleasure of too many books. I just gave up a library, and now I’m desperately trying to keep my acquisitions to ebooks. The library helps me with those books only in print!

    Reply

Leave a Comment